“There exists for each one of us a house of dream-memory that is lost in the shadow of the past,” says Gaston Bachelard in his Poetics of Space; “thanks to the house, a great many of our memories are housed, and if the house is a bit elaborate, if it has … nooks and corridors, our memories have refuges that are all the more clearly delineated. All our lives we come back to them in our daydreams.”


OTHER ROOMS started as an investigation of domestic spaces by way of building small-scale, portable, assemblage structures, and it has been growing into an ever-expanding installation inside my home studio. OTHER ROOMS explores domestic interiors as spaces moulded by real and fictional memories and by daydreaming. The geometry of these domestic spaces is transformed by the way they are remembered; the joys and horrors that have happened within their walls; the stories that were weaved in their corners. Their nooks and crannies are resting places for human intimate lives. As the physicality of the room dissolves with the passing of time, the only way to experience it is to conjure its fiction.

Autobiographical to an extent, OTHER ROOMS aim to trigger the viewer’s own intimate narratives and dreamscapes. After all, “the house is one of the greatest powers of integration for the thoughts, memories and dreams of [hu]mankind. The binding principle in this integration is the daydream.”


OTHER ROOMS reaches out to include other stories as it grows to encompass the room it is installed.

Contributors are invited to send me

* a personal memory (story, impression, dream) – connected to a domestic interior (room, corner, piece of furniture, object) of their past, and

* a piece of cardboard and/or any other materials they wish, including photographs


The text can be as long and as descriptive as contributors wish. Contributions can be anonymous.

I will use the materials and text sent to me to create a three-dimensional structure which will be my interpretation of the memory. If the text contributors send is used in any subsequent publication, permission to reproduce it will be sought. The structure will be incorporated in the installation. If the contributor wishes they can respond to the finished piece any way they wish (drawing, painting, film, performance). The contributor’s response may be included in the installation.

OTHER ROOMS will conclude with an exhibition held inside the installation (subject to social distancing rules). Possible outcomes include a video piece and a publication.

See the work on my website http://www.litoapostolakou.com


on Instagram http://www.instagram.com/inklinks

Please send your contribution to

Lito Apostolakou

41 Donovan Avenue

London N10 2JU

or if you live within an 8-mile radius I can walk to you and pick it up.

Any questions, contact me on Whatsapp or email me on l.apostolakou@gmail.com

Here is an extract from Proust’s Remembrance of Lost Time, vol. I on memories of rooms

“These shifting and confused gusts of memory never lasted for more than a few seconds … But I had seen first one and then another of the rooms in which I had slept during my life, and in the end I would revisit them all in the long course of my waking dream: rooms in winter, where on going to bed I would at once bury my head in a nest, built up out of the most diverse materials, the corner of my pillow, the top of my blankets, a piece of shawl, the edge of my bed, and a copy of an evening paper, all of which things I would contrive, with infinite patience of birds building their nest, to cement into one whole; rooms where, in a keen frost, I would feel the satisfaction of being shut in from the outer world … and where, the fire keeping in all night, I would sleep wrapped up, as it were, in a great cloak of snug and savoury air … in a sort of alcove without walls, a cave of warmth dug out of the heart of the room itself … or rooms in summer … where the moonlight striking upon the half-opened shutters would throw down to the foot of my bed its enchanted ladder (…)

Other Rooms installation

Other Rooms installation in progress.


Picking up a box of materials from the first contributor.